Mauritania
When I arrive in Mauritania, I’m taken straight to Aleg, a few hours drive inland from Nouakchott, the capital. Having expected desert, I’m surprised by the colour of the Sahel. It’s as green as the Serengeti, and I keep expecting to see antelope and lions dotted around the flatness that stretches to the horizon in every direction. But the grass is very deceptive: the rains have just finished, and by the end of the year, it will all be reduced again to sand until after next year’s rains. Life here really is hard, and it’s only getting harder. It’s still unspoken, but I get the feeling the people living in the Sahel are caught in a race: will global warming force them out before they can improve their ability to get through the increasingly tough dry seasons (more wells, better ability to capture rains etc)?
My main job here is interviewing rural folk, for writing stories for the website, campaigns material etc (the first one’s up on the Oxfam website: http://www.oxfam.org.uk/what_we_do/where_we_work/mauritania/water_education.htm). It lets me feel a bit like Marla Ruzicka, one of the most inspiring people I’ve ever heard of (I first read about her here: http://www.guardian.co.uk/Iraq/Story/0,2763,1463729,00.html). But I know my stories are only going to make the smallest bit of difference at best. It’s the reality of working for a big NGO, particularly in a general role like mine: small cog in a big machine grinding against enormous problems.
Along with writing stories, I need photos of the area. But as soon as I get my camera out, I realise how camera shy the villagers are. At first, the only way I can get photos of the people I’m talking to is by persuading them to pose in boring groups – and even then, it’s usually only the men who’re interested in doing that (which isn’t much use for an organisation like Oxfam, where women’s difficulties are supposed to come first). After a while, I hit on the idea of breaking the ice by taking photos of kids, then showing them their pictures on the camera screen. Trouble is, it works too well and within minutes I’m surrounded by every kid in the village, and it becomes impossible for me to get photos of people doing ordinary things without dozens of children jostling to get in the frame. In the end, I leave with hardly any useful pictures, but loads of cute ones of grinning kids.
I’ve often noticed how bad problems are with refuse in developing countries. The sides of the roads within, and just outside, towns are usually littered with plastic bottles, coke cans, and so on. But travelling in Mauritania makes me wonder if the locals generally see it as a problem. As we drove, my colleagues casually wind down windows and throw out empty packets; they go as far as to take my finished bottles from the floor by my feet and throw them out, in the same way as I would put it in a bin. My instinct is to ask him not to, but I assume there’s no rubbish collection in Mauritania - certainly not in the smaller towns - so I’m not sure what I could have expected him to do. I suppose there are more important things for the country to worry about than keeping the desert tidy (though I'm intrigued to wonder how those "don't be a gimp" adverts would go down...).
The hotel I’m put up in Nouakchott is ludicrously plush (I find out later it costs about £40 a night, in a country where average annual income is in the region of £300). It’s the first time I’ve stayed somewhere with separate living room and kitchen. Having a huge tv with several hundred channels (albeit with only five of them are in English) is an exciting novelty after nearly three months without seeing any tv, and I spend the first night glued to its rubbish films. But already by the second day, the luxury gets boring, and once I’ve done the little exploring the city offers and night falls, I’m desperate for time to pass so I can get back to Dakar.
